#The dear huntr act 6 how to
#The dear huntr act 6 series

“I was trying to do it on Act I, Act II and Act III,” he says with a slight sigh of fake exasperation, “but I could never get to the point where I was just in a room with an orchestra playing these parts, because I didn’t know how to do it. The distance that making those records afforded Crescenzo means that of all the albums The Dear Hunter has made, Act IV’s soundtrack to its main character’s physical and philosophical journey is also the closest Crescenzo has come to realizing the true musical vision inside his head. That’s something Crescenzo insists could only have happened by taking a break from the world with The Color Spectrum and Migrant. Both nuanced and euphoric – sometimes at the same time – their very essence breathes life back into a story that has been on pause for over half a decade, reigniting the lives of the characters with heart and aplomb. The result is the band’s most orchestral and multi-layered set of songs to date. So it was the perfect middle ground of describing conceptually, and as far as the plot goes, a story, but also a very perfect paralleling between my personal life and the story of the record – that revitalization and rejuvenating that comes from revisiting something with a newfound perspective.” We got talking about the title of the record and it really just made sense, both within this story – which is about this character returning to a familiar place as a different person – but also in terms of the music, which was returning to a familiar place as a different person for myself. “Revisiting something that was six years removed from my life,” explains Crescenzo, “and going back to doing these records was actually a suggestion of my manager and friend Mike Marquis. This is as much about a return in real life as it is the fictional story. Yet as the plot and the music weave their way through these fifteen songs, it’s clear that they transcend the boundaries of the Dear Hunter story. Picking up where the story left off – with the eponymous protagonist assuming the identity of his late brother and returning home – Act IV: Rebirth In Reprise is an album that explores the complex notions of who and what we are, and which attempts to answer its own questions through the wanderings and wonderings of the album’s protagonist. Now, six years and two albums after The Dear Hunter released Act III: Life And Death, Crescenzo has returned to the narrative of the anti-hero who shares the band’s name, applying all of the knowledge and experience of the last ten years to this new chapter. With such a storied musical repertoire, its clear Crescenzo is no ordinary musician. Two years later, the more mellow and straightforward fifth full-length Migrant showcased a different side to the songwriter’s talents, and last year he composed and recorded his first symphony Amour & Attrition. Later released as a single volume edition, each EP was a musical interpretation of a color from the visible spectrum, showcasing the increasingly far-reaching ambitions for Crescenzo’s musical vision and his inventive interpretation of the world around him.

#The dear huntr act 6 series

Between 20, the band recorded a series of nine four-track EPs known as The Color Spectrum. But then, halfway through the six envisioned Acts of the Dear Hunter narrative, Crescenzo’s attentions shifted. As that tale progressed, so did Crescenzo’s art, his experimental compositions blurring the line between different genres to create a sound that was – and still is – unique to the band. Leading and 2009’s Act III: Life And Death – cemented the now 32 year-old as a maverick, idiosyncratic talent whose music, while fitting a modern aesthetic, was also from a bygone era.Īnachronistic and timeless in equal measure, the narrative of The Dear Hunter existed in both the past and the present, its detailed plot standing simultaneously as an age-old and new age fable. The two albums which followed – 2007’s Act II: The Meaning Of, And All Things Regarding Ms. Although it was evident from his stint as singer of The Receiving End Of Sirens, the record revealed Crescenzo’s incredibly inventive and ambitious musical flair, something which has been evolving ever since.

It’s been almost a decade since Casey Crescenzo brought The Dear Hunter – both the band and the character of the same name – to life with his 2006 debut full-length, Act I: The Lake South, The River North.